Marque
Bosendorfer
Modèle
Liszt
Neufs / Occasion
Occasion
Acoustique / Numérique
Acoustique
Année de fabrication
1846
Numéro de série
2025
Largeur
140 cm
Longueur
240 cm
Hauteur
96 cm
Nombre de pédales
2
Nombre de touches
85
Couleur
Brun
Brillance
High Gloss
Finition du meuble
French Polish
Têtes de clés naturelles
Oui
Description de l’annonce
Bösendorfer, 1846, Vienna.
Ignaz Bösendorfer began his career as apprentice to the piano builder Brodmann, later becoming shop foreman, and eventually taking over the firm around 1828, when Brodmann retired. (The company still makes pianos in Vienna as a part of the American-owned Kimball International.) The present instrument, typical of mid-nineteenth-century pianos, is parallel-strung, with a range of CC - a4. Liszt used similar pianos in Vienna in 1846. This piano and the 1846 Streicher piano, both by leading makers, and similar in appearance, are noticeably different in sound. Visitors to the collection tend to be equally divided in their preference for one or the other, just as, one would imagine, were people in Vienna in the 1840s. Pianos such as these were played in concert by Franz Liszt and Clara Schumann.
Ignaz Bösendorfer began his career as apprentice to the piano builder Brodmann, later becoming shop foreman, and eventually taking over the firm around 1828, when Brodmann retired. (The company still makes pianos in Vienna as a part of the American-owned Kimball International.) The present instrument, typical of mid-nineteenth-century pianos, is parallel-strung, with a range of CC - a4. Liszt used similar pianos in Vienna in 1846. This piano and the 1846 Streicher piano, both by leading makers, and similar in appearance, are noticeably different in sound. Visitors to the collection tend to be equally divided in their preference for one or the other, just as, one would imagine, were people in Vienna in the 1840s. Pianos such as these were played in concert by Franz Liszt and Clara Schumann.
Pays
Serbie
État/Région/Province
Voïvodine
Ville
Kovacica