Neufs, Steingraeber & Söhne, A-170

In terms of design, Steingraeber & Sohne A-170 Salon Grand Piano can trace its roots back to 1905.

Steingraeber don’t think that Steingraeber & Sohne A-170 Salon Grand Piano, their smallest grand piano as a ‘baby grand’, simply because it has received many “Best in its Class” awards that praise the sound as being much bigger than the instrument looks. In terms of construction, this phenomenal achievement lies in the unusually-wide shape of the Steingraeber & Sohne A-170 Grand Piano, which allows room for the use of very long bass strings.

The only top-rated salon grand piano, it transmits vibrational energy just like a concert grand. Because of its bass bridge design, (i.e., without apron and base), its sound is not thin and metallic (or ‘tinny’), as is typical of small grand pianos.

Furthermore the piano’s touch is professional, which is why you will find it on stages, and in music schools and opera houses with limited space. The fascinating Oslo Opera House is a prime example of its use and suitability.

All Steingraeber & Sohne pianos are handcrafted in Bayreuth, Bavaria using the time-honoured tradition of piano building and are among the finest instruments produced by an elite group of manufacturers.

Steingraeber & Sohne adhere to piano making principles that see their pianos deliver the finest quality in sound touch and appearance. Acoustics, statics, cabinetry, and action mechanism - these are all components of Classic piano building that views ALL components as sound sources and, without exception, uses natural, resonating materials that require custom adjustment and precision work.

This is where the ability to tailor or modify the sound of a Steingraber comes from. This extends to the Steingraeber action mechanism and pedals, which are built with a view to perceptible resonating energy, like an extension of the human body.